Aunt Tillie

“Would somebody please tell Aunt Tillie she’s dead!” Mother blurted out breaking the silence of our ordinarily droll morning meet up over weak tea and buttered toast. “I haven’t had a proper night’s sleep in over a week, and frankly, I just don’t know how much more I can bear!”

Without looking away from his morning Post, Father muttered, “Well, she is your sister. I believe that places the burden of truth squarely upon your shoulders.” To which mother groaned loudly in response, causing Father to add, “After all, you’re the only one she seems currently intent on making miserable.”

“Not so.” I voiced rather meekly, my mouth half hidden behind a nervous hand. Father’s morning Post crackled as he lowered it cautiously, just enough to rest his bespectacled eyes directly above the morning market headlines. They widened as he looked from me, to mother, then back at me again.

“Mother didn’t know. I never told anyone. The night she passed, I heard what sounded like someone crying in the attic. I was frightened, but I steeled myself, took a deep breath, put my hand on the doorknob and unlocked the door. When the door opened I felt a presence.”

“As it passed me in the doorway, a small voice whispered something about a gopher or maybe a mole and father’s inner thigh? Oh! I don’t know! It all happened so fast.” Mother’s eyes narrowed. Father ducked quickly behind his Post. And Auntie Tillie? She was never heard from again.

This piece written in 50 word increments is my response to the literary quote provided on this week’s 50 Word Thursday. The quote was, “I took a deep breath, put my hand on the doorknob and unlocked the door.” – Christiana Miller – Somebody Tell Aunt Tillie She’s Dead.

The Promise

You might think this kind of love is curse-ed. You might think no love is worth all that much pain. You might think I am better off for having lost it- but if I could I would do it all again…..

 

I am want to call it love making. But it was not.

It was animal. It was instinctual. A ritualistic coupling of passion and pain, anger and ecstasy all in such great measure that even in this moment, with that day so long ago and far away, I know not whether it rendered me dead, or I was reborn.  

But I do know, that from the moment he unsheathed his passion driven dagger and drove it deep into the tender recesses of my aching, needful flesh- yesterday was long forgotten and the promise of tomorrow? Simply did not exist.

There was only now. There was only us.

Until there wasn’t. 

And it is there, that the story of our demise truly begins.

                                                                          *****************************

 

The Promise is a song written and performed by American metal band, In This Moment. It was released on their third album, A Star-Crossed Wasteland. The song is a duet featuring In This Moment vocalist Maria Brink and Otherwise vocalist Adrian Patrick.

I have included videos of both the metal studio version and a live acoustic performance so you may enjoy the song as a ballad if the metalcore version does not arise in you- the memories of unquenchable passion that it does in me.

“This song is about when you are madly in love with somebody, but you know that you’re dangerous for that person and vice versa. They’re dangerous for you even though you crave them. You want it more than anything, even though you know it will end badly.” – Maria Brink- Lead vocalist, In This Moment.

 

The Promise

Its haunting
This hold that you have over me
I grow so weak

I see you
And everything around you fades
And I can’t see

You can never know what it is you do to me

I can’t take what you do to me
I can’t take it

I can’t take what you do to me
I can’t take it

No matter what I say or what I do
I know how this will end
So I turn it away now before we begin

And no matter what you say or what you do
I know how this will end
So I’m turning away now

I’m dangerous for you
I’m dangerous for you

You touch me
And I can barely make a move
And I can’t breathe

You never know what it is you do to me

I can’t take what you do to me
I can’t take it

I can’t take what you do to me
I can’t take it

No matter what I say or what I do
I know how this will end
So I’m turning away now before we begin

And no matter what you say or what you do
I know how this will end
So I’m turning away now

I’m dangerous

The only promise I could make
Is that my promise is a lie
The only promise I could make you
Is that my promise is a lie

No matter what I say or what I do
I know how this will end
So I’m turning away now before we begin

And no matter what you say or what you do
I know how this will end
So I’m turning away now

I’m dangerous for you
I’m dangerous for you
I’m dangerous for you
I’m dangerous for you
I’m dangerous for you
I’m dangerous for you

I’m dangerous, I’m dangerous for you

My promise is I will hurt you
My promise is I will hurt you
My promise is I will hurt you
My promise is I will hurt you

This is my response to Jim Adam’s call for songs containing the words Promise, Vow or Oath on this weeks edition of Song Lyric Sunday.

Deck chairs on the Titanic

deck-chairs

CCC #71

The hotel has become a ghost town overnight.

Halls and common areas bustling with adventure seekers only weeks ago, are now somber and desolate.

The unforgiving drone of Fox News drowns out any chance of levity, casting its shadow of disease and distress over the common areas and infecting all that come within earshot.

Conversations have been pirated by fear and uncertainty, and although they continue to dot themselves generously with toilet paper punch lines- no one is really laughing- on the inside.

Meanwhile, I smile, apologize appropriately for the absence of our ordinarily amazing continental breakfast buffet, and pass out a meager selection of breakfast foods with all the necessary attention to detail I imagine was given to the rearranging of the deck chairs on the Titanic.

This is my response to the above photo provided by Crispina on her weekly prompt, Crimson’s Creative Challenge.

What’s in a name?

rose bad fox studio defunct link

Bad Fox Studios Defunct link

She had been given that name Glorious back when her Mama was hell bent on becoming a Christian.

She grew up being called Glori. That’s Glori with an I, not Glory with a Y.

And that made a difference, but only to Mama. Who had by then divorced herself completely from Christianity and taken up the path of the Buddha, to whom something called dukkha was even more important than glory was to Christians.

So she kept her mouth shut about the whole I and Y thing and just considered herself lucky she had been born during Mama’s Christian phase.

Here are 100  words about as near to nothing as you can get without writing nothing at all. I was however able to include the word, Glorious, as provided by Eugenia this week on her site Eugi’s Causerie. So I guess all is not for naught.

Ecstasy

If the music didn’t get any better he was going to take that pill Kelsey kept offering him. After all, why should Kelsey be the only one having any fun?

He tossed that question around in his mind for a moment before his loins decided on the only logical answer.

“Because the more pills Kelsey has, the more pills Kelsey will take. And the more pills Kelsey takes…”

Jamie quickly distracted himself from the pursuant visual that accompanied his thought process.

Suffice it to say, Little Miss Kelsey wouldn’t be the only one getting a ride on the way home..

This snippet written in exactly 100 words was inspired by the opening line supplied by Dylan on this week on MLMM’s First Line Friday